Every artwork has its unique art history.

Scene: It is 1510. We find ourselves in Rome, a place filled with the gentle murmurs of creative talent and the occasional scratch of Michelangelo's tools. The half-finished Sistine Chapel ceiling rises above us, a magnificent, heavenly expanse of beautiful murals. The air has a subtle fragrance of paint and wet plaster. Michaelangelo Buonarroti, dressed in a modest tunic, comes before us. His eyes, passionate and restless, reveal the complicated emotions that whirl inside him.

Leonardo da Vinci was fully involved in his masterwork, The Last Supper, which Duke Ludovico Sforza had commissioned for Milan's Santa Maria delle Grazie monastery in 1497. Consider sitting across from Leonardo while he thinks about his work, surrounded by brushes, paints, and drawings. This exchange reveals the thoughts of a genius at the peak of his abilities.

The group continued from London to Madrid's Prado, another massive museum of fine arts. While the London National Gallery reflects European expertise, the Prado offers a profound, rich immersion in the artwork of Francisco Goya, Diego Velázquez, and El Greco.

Long-standing relationships have enriched art and travel. Travelling introduces us to the unfamiliar, which shapes our worldview and creative efforts. Travel opens fresh doors for painters, sculptors, and writers to explore new subjects, colours, approaches, and perspectives.

The second part of tale (about famous painting) from the unbelievable category.

Another art story from the unbelievable category. Although anything has happened.

Continuation of the story about Alphonse Mucha and his paintings.

The following tale (of course, about fine art) from ginger cat Charlie.

This time a story (again, about fine art) from my uncle.

Wishing you a fantastic day, my glorious friend!

Again, about the connection between times in paintings?

Is there a connection between times in paintings?