Blog #18

Published on 11 January 2025 at 17:02

                                                                                     We continue to talk with Maestro Botticelli.

Historical artwork from European Renaissance paintings. 

Interview with Sandro Botticelli on **La Mappa dell'Inferno. 

Episode two.

Interviewer: Have you ever met Leonardo da Vinci or your contemporaries? What topics were mentioned, and how did they affect you?

 

Botticelli: Leonardo and I crossed paths, as do all Florentine painters. His interest in nature and anatomy propelled him to the forefront of invention. Our talks often focused on technique, light and shadow interaction, and beauty's essence and, not only in paintings. While our techniques differed, his curiosity motivated me to explore limits. Similarly, my contemporaries, such as Filippino Lippi, provided support and criticism that broadened my perspective.

Interviewer: Did ideas for future paintings emerge at this time? What else have you been working on?

 

Botticelli: Indeed. While working on Dante's Hell, ideas for more allegorical works emerged. Around this time, the pairings for Primavera and The Birth of Venus began forming. Both investigated the heavenly and earthy components of human life. These compositions contrasted dramatically with the melancholy tones of La Mappa dell'Inferno, yet they all sought to comprehend the soul's journey.

Interviewer: Where do you perceive yourself as an artist in the historical context? How do you see your future?

 

Botticelli: I'm a modest interpreter of heavenly and human realities. My artworks will be remembered as reflections of our time's beauty, turbulence, and ambitions. Although the future is doubtful, my work is well-received and inspires future generations.

Interviewer: Maestro, are you happy?

 

Botticelli: Happiness is a transitory experience. I am delighted when the vision takes shape beneath my hands throughout the creative process. Nonetheless, I have many personal and social responsibilities. Contentment stems from the belief that my labour may bring light to others.

 

Interviewer: What are your immediate plans?

 

Botticelli: Finish the series on The Divine Comedy and improve my allegorical paintings. Each creation is a step toward comprehending and expressing the unfathomable.

 

Interviewer: Finally, what message do you want to give to your descendants?

Botticelli: To my ancestors, I say, treasure beauty, not as an adornment, but as a route to truth. Allow your creations to reflect the light of your time while pursuing the eternal. Art is both a mirror and a light; utilize it wisely and courageously.

 

Interviewer: Thank you, Maestro Botticelli, for sharing your ideas and vision. It's been an honour.

 

Botticelli: The glory is mine. May we all endeavour to leave the world more beautiful and understanding than we found it.

Doesn't this parting word from Botticelli sound biblical and, at the same time, full of empathy?
The Maestro's words are full of meaning even today.
And I bid you farewell, my dear reader, until the following publication.

Nik.

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